{"id":12536,"date":"2019-08-21T09:50:19","date_gmt":"2019-08-21T07:50:19","guid":{"rendered":"https:\/\/rvb2020.broux.cyon.site\/pleins-feux\/first-step\/"},"modified":"2026-08-18T17:58:51","modified_gmt":"2026-08-18T15:58:51","slug":"spectacle-2019","status":"publish","type":"page","link":"https:\/\/www.rendezvousbundesplatz.ch\/fr\/spectacle-2019\/","title":{"rendered":"Spectacle 2019"},"content":{"rendered":"

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Depuis des milliers d’ann\u00e9es, l’homme s’int\u00e9resse \u00e0 l’univers, \u00e0 sa formation et \u00e0 l’\u00e9tude des corps c\u00e9lestes.<\/p>\n

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La sph\u00e8re armillaire, \u00e9galement appel\u00e9e \u00ab machine du monde \u00bb, servait \u00e0 repr\u00e9senter les mouvements des corps c\u00e9lestes.<\/p>\n

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Le Palais f\u00e9d\u00e9ral se transforme en cin\u00e9ma d’\u00e9poque : on y projette des visions d’alunissages datant du XXe si\u00e8cle. De courts extraits du film \u00ab Le voyage dans la Lune \u00bb (1902) de Georges M\u00e9li\u00e8s, inspir\u00e9 de Jules Verne et H.G. Wells.<\/p>\n

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\u00ab Tintin \u00bb est bien s\u00fbr \u00e9galement au rendez-vous, avec un extrait de l’album \u00ab Le Secret de la Lune \u00bb (1954). *<\/p>\n

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On voit appara\u00eetre une cam\u00e9ra destin\u00e9e \u00e0 filmer le voyage pr\u00e9vu vers la Lune. Son objectif refl\u00e8te d\u00e9j\u00e0 la destination de la mission : la Lune.<\/p>\n

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Dans d’immenses entrep\u00f4ts, on travaille sur tout ce qui doit permettre le voyage vers la Lune. Parmi ces projets figure notamment la voile solaire mise au point \u00e0 Berne, qui fut la seule exp\u00e9rience non am\u00e9ricaine \u00e0 participer \u00e0 l’alunissage.<\/p>\n

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La voile solaire recouvre l’ensemble de la fa\u00e7ade du Palais F\u00e9d\u00e9ral.<\/p>\n

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Parall\u00e8lement, les astronautes se pr\u00e9parent eux aussi \u00e0 la mission. Afin de simuler l’apesanteur, une partie de la formation se d\u00e9roule sous l’eau.<\/p>\n

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La comparaison avec la cath\u00e9drale de Berne vise \u00e0 illustrer les dimensions gigantesques de la fus\u00e9e, qui mesure plus de 100 m\u00e8tres.<\/p>\n

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Le Palais f\u00e9d\u00e9ral se transforme en rampe de lancement. Apr\u00e8s un compte \u00e0 rebours, la fus\u00e9e s’\u00e9lance vers l’espace.<\/p>\n

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Le Palais F\u00e9d\u00e9ral se d\u00e9sagr\u00e8ge, ses diff\u00e9rentes parties commencent \u00e0 flotter. Derri\u00e8re, l’espace appara\u00eet, et la Terre se d\u00e9voile. Les parties du b\u00e2timent glissent dans l’espace.<\/p>\n

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Au cours de son voyage dans l’espace, un astronaute s’approche en flottant du public, lui fait signe et l’invite \u00e0 l’accompagner dans sa mission vers la Lune.<\/p>\n

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La face cach\u00e9e de la Lune fait \u00e9galement l’objet de recherches. Le message radio \u00ab We’ll see you on the other side \u00bb est rest\u00e9 c\u00e9l\u00e8bre. Sur la face cach\u00e9e de la Lune appara\u00eet un cadran dont les aiguilles indiquent, en acc\u00e9l\u00e9r\u00e9, la dur\u00e9e exacte et l’heure de la premi\u00e8re orbite lunaire.<\/p>\n

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On assiste ensuite \u00e0 l’approche du module de commande d’Apollo 11 avec le module d’alunissage Eagle. Le d\u00e9samarrage de la capsule d’alunissage est montr\u00e9 du point de vue de la capsule de commande.<\/p>\n

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Un changement de perspective nous emm\u00e8ne \u00e0 l’int\u00e9rieur du module d’atterrissage. De l\u00e0, on peut observer l’approche de la surface lunaire. Armstrong prend les commandes manuelles de l’Eagle. S’ensuit le message radio : \u00ab The Eagle has landed \u00bb.<\/p>\n

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Les ailes lat\u00e9rales du Palais f\u00e9d\u00e9ral se transforment en tours de t\u00e9l\u00e9vision : on y diffuse les images de la Lune retransmises dans le monde entier. Sur la fa\u00e7ade centrale appara\u00eet le c\u00f4t\u00e9 par lequel Armstrong est sorti de l’Eagle. Armstrong descend l’\u00e9chelle \u00e0 reculons jusqu’\u00e0 ce que son pied recouvre la partie centrale de la fa\u00e7ade.<\/p>\n

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La cam\u00e9ra passe au pied de l’astronaute, qui touche la surface lunaire : \u00ab C’est un petit pas pour l’homme, mais un bond de g\u00e9ant pour l’humanit\u00e9. \u00bb<\/p>\n

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La premi\u00e8re empreinte de pas humaine appara\u00eet sur la Lune.<\/p>\n

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Le voyage \u00e0 la surface de la Lune commence alors, en passant devant la voile solaire. La Terre appara\u00eet \u00e0 l’horizon lunaire.<\/p>\n

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Sur les mots de William Anders, astronaute d’Apollo 8 : \u00ab Nous avons parcouru tout ce chemin pour explorer la Lune, et le plus important, c’est que nous avons d\u00e9couvert la Terre \u00bb, une s\u00e9quence film\u00e9e depuis la Lune nous ram\u00e8ne vers la Terre, jusqu’\u00e0 la Place f\u00e9d\u00e9rale.<\/p>\n

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Le voyage s’ach\u00e8ve sur la Place F\u00e9d\u00e9rale \u00e0 Berne. \u00c0 travers la fa\u00e7ade du Palais f\u00e9d\u00e9ral, on voit la capsule de sauvetage amerrir, accompagn\u00e9e d’un h\u00e9licopt\u00e8re de sauvetage.<\/p>\n

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L’impact de la capsule provoque des \u00e9claboussures d’eau. Une vitre s’embue et se couvre de gouttes d’eau.<\/p>\n

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Trois mains dessinent de dos les silhouettes d’astronautes et essuient la visi\u00e8re des casques dessin\u00e9s. Les visages souriants d’Armstrong, d’Aldrin et de Collins apparaissent.<\/p>\n

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Un parachute de sauvetage de la capsule recouvre le Palais f\u00e9d\u00e9ral comme un rideau surdimensionn\u00e9. Il descend en glissant depuis le Palais f\u00e9d\u00e9ral \u2013 et le b\u00e2timent s’incline devant le public.<\/p>\n

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Merci pour votre soutien<\/h2>\n

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* Repr\u00e9sentations visuelles des \u0153uvres d’Herg\u00e9 : \u00a9 Herg\u00e9-Moulinsart<\/p>\n

<\/p>\n

NASA<\/a><\/strong><\/p>\n

<\/p>\n

Hasselblad AB<\/a><\/strong><\/p>\n

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Titres de chanson \u00ab Spectacle 2019 \u00bb<\/h2>\n

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Prologue: Ludovico Einaudi \u2013 Nuvole Nere<\/em><\/p>\n

<\/p>\n

Conception d’un appareil photo: Pink Floyd \u2013 Time<\/em><\/p>\n

<\/p>\n

Pr\u00e9paration des astronautes: Van Morrison \u2013 Moondance<\/em><\/p>\n

<\/p>\n

Lancement de la fus\u00e9e: L\u00e9o Delibes \u2013 Blumenduett aus Lakm\u00e9<\/em><\/p>\n

<\/p>\n

apesanteur: David Bowie – Space Oddity<\/em><\/p>\n

<\/p>\n

Vole autour de la Lune : Apollo 8: Pink Floyd \u2013 Breathe<\/em><\/p>\n

<\/p>\n

Alunissage: Murcof \u2013 Unison<\/em><\/p>\n

<\/p>\n

\u00c9pilogue: Sido \u2013 Astronaut (Instrumental mit Refrain)
\n<\/em><\/p>\n

<\/p>\n

G\u00e9n\u00e9rique de fin, salut du Palais F\u00e9d\u00e9ral:<\/strong> Patent Ochsner \u2013 Apollo 11<\/em><\/p>\n

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 <\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb12227″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb style=\u00a0\u00bbvc_box_border_grey\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text] Depuis des milliers d’ann\u00e9es, l’homme s’int\u00e9resse \u00e0 l’univers, \u00e0 sa formation et \u00e0 l’\u00e9tude des corps c\u00e9lestes. [\/vc_column_text][vc_empty_space][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb12231″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb style=\u00a0\u00bbvc_box_border_grey\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text] La sph\u00e8re armillaire, \u00e9galement appel\u00e9e \u00ab machine du monde \u00bb, servait \u00e0 repr\u00e9senter les mouvements des corps c\u00e9lestes. 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